造物的?*奇迹

Wu#nde]r ,? /der S^\]chöpfu%n@?=g is an extraordi=na^ry,?) fa`]!s%
?cinating/ ! Kult):urf@^=i=lm trying to expla%+in the[ /\w_hole?:- huma#n knowl%%=%ed*#ge of the 1920s ab*)out the wor ld an!_d the unive^rs@e. 15 special, effects expe#rts and 9 camera#.(m+en we re involved  in the pr#@oduction of this fil?@m which-^ / [?@combines documentary sce
]+nes, historical d[,?ocuments, $ ficti `$on el
_eme_nts, anim,ation scenes and educat`i onal` impact.  I-;t its beauti^f(ully co lored, using tinting and toning in a ve#;*:ry =![%el;aborated way. Some visual ]
ideas i= $n the sequences with a =space shut#tle  visiting different planets in t*#+h@
e univer!/?_se seem to ha[ve %+to be t?he inspiration for![? Stanley Kubri%ck-'s 2001 A . Space Odyssey.　　=
+In the context of Germany#'s K^ultu)rfi!:`lm phenomenon+, W@und+@er(  der S;?c`h
;öpfung was_ am@=,ong th:,e greatest ac
hie#((vem`@ents of the 1920s$. Th[+,e*= production
* was co _, n`struct%ed,- re!hears ,ed, and sho^t ove$+#r a.- perio?^%d of two and a half`] yea*#rs,[, under the supervi%_si+;o,
n of Hann,\s ].+Walter Ko_ rnblum. ;The idea to d@escr!ibe th]e !?universe and m  +an_'s pl ace?/@ in it well suited U%%FA's Grossfilm mentality)$,., one ye !?ar befo):r]/e! the Met:rop,_olis catast;rophe. Hundreds o\f skilled,
^cra[,ftsm\ \ en participated ,?+i)n t[he pro+(ject, buil+ding $$)pr #ops and constructing scale .;$models drawn + by\ 1*5=), special effe:cts [ draughtsmen,% whi!,^le .9 :[camerame%n in sepa%,rate uni-%$)ts wo /@rke`,d- on *t:-he historical, d%:#ocumenta r 
y, fiction, animation, and s/\cience-fiction sequences. Wit
hout s* *tar :roles o@r even pr?;ota _gonists, @the f/;ilm's p;l `ot is` c.\rowded w#ith meticul+)[ously st# ruc!tu/?r\ed an@d .:-s[*k`illfull\y a%*c-t@)ed sing`:le s%%)ce]
#nes%% . an art!^ful ?$ mo =sa^i@;%c of sm_(]all vignette^^[s. No les s than four credited un:;!,iversity professor\s ens.]ured the factu:al background behind the ]- scie # ntific :,*and h/%is -t$orica#) l events p,%[ort[ray?@$ ed.:\?　　The film's symbol of progress and the new scie=#ntific era is a spacecraft, ?? travel(_l \ing-\ thro-,ug:#h the\+ :Mi),.lky,([ Way, [`maki::ng all$. the p%[lan(ets and the\:ir inspirin?g worl#: ds familia=-r to`@+_ us, wit*h-= the extravaga. ,/nza of the:ir disti$?nctiv
_e features. The$+ f^!ilm's education])al #
 intenti#on_/:%s, how[ ev\$er, become steadi ^ly$. more obscure,, humoro!us,= )]%_o(r even c`amp[;y as , th;is +^popularizati\[on p**roject proceeds\%=. Wi=!)th the e `xcu`?se of p=@` resenting the end of. the +/world a $ n\?ot-so-new concep`t as $a%) ne=[?w, und ] .e niably scien*tific tru.^.th, the%( fi_lm  veer\%s ;happ.ily a- ;lo:;.ng a ne]]w_ + path, displaying d_etailed apoc]alypt
(ic %@! sc ]enes of th;e end of man/[ kin*)d. For to^day's audien ces , ^?this) a :)mazing `^.fi] =lm de#.monstrates how  th*$\e universe w[:-as comprehended in th;e [^1920s,^ a]
nd how that view was sold to con:#]temporary audiences.