异端

Didier Konings\’ simmering m%e,`d(iaeval; (horror W(:itte Wieven explo]res the c_.^#onfluence _, of reli_%g ion and /pa%triarc_\hy] in an ?e_x$[]ces-s
ively pur%itanical Dutch,? village. Blamed by !her com`munity f[.or being ch#ildle^%ss, Frieda immerses=? herself in pr+ayer an? d[(* ritual].`+ Wh?:en she _@ret;]urns un,+
(scathed fro^m the forbidden : forest  s%?urrou:nding the village, having evaded)^# *._a le/che%r[(ous but/,=!cher, she is condemned $?%as an a *gent of the devil. Frieda, howeve!r,, fin!ds n
/+!ew faith in]\+ the dark? po%!wers th-%_/at inhabi@t t]he  wood`%s.　　Shot in
,: a$ red\/%!uced^ c/ol:
o @\ur palette at the e%dge of vi:[sibility:, Konings’? gri.p@_ping film co@nstru]= ,cts( a co []nvinc*ing$# pre-modern society whose p`ractices it el_ ucidates with ?$:patience and attention. Alt`hough set in the Middle$^ Ag es, Witte Wieven display!s/ an u%`nmista ka,bly c ontemporary =-s!^piri,=t, c[?ra@fting`@ a femi^. _nist para]. b;-le abou#.t
 women discove-rin`,g new !w+_
ays of un
de
rstanding ;,their l)ives and `, th.!;e worl[.`d.